![]() There’s a mirrorless camera for everyone in the Nikon Z range, whatever you shoot and no matter how you shoot it, in stills and video. ![]() Simply multiply the focal length(s) of a lens by 1.5 to calculate the 35mm-equivalent view. A DX camera’s tighter angle of view can be explained in relation to the industry standard full-frame (or 35mm) sensor by its 1.5x crop factor. Since an FX lens’s reach is essentially increased when attached to a DX camera, you can get closer to subjects with shorter and often more affordable lenses. FX cameras feature a DX crop mode to accommodate the smaller image circle created by a DX lens, while DX sensors inherently ‘crop’ into the larger image circle created by FX lenses. Both DX and FX Z lenses are available and can be used across both formats. The final consideration is lens compatibility. DX cameras are more affordable, smaller, lighter and offer very respectable burst shooting speeds across the board. You can generally expect better low-light capabilities, too, and faster burst shooting, depending on the model. They have higher resolution sensors, in-body VR and boast the ability to produce shallower depths of field. FX cameras are generally favoured by professional photographers and serious enthusiasts. The former has a 36 x 24mm sensor, while the latter uses a smaller 24 x 16mm sensor. Just like Nikon DSLRs, some Z-series cameras such as the Z 5 and Z 7II have FX-format (full-frame) sensors, while others like the Z 50 and Z fc are DX. In fact, the in-body 5-axis Vibration Reduction present in all current full-frame Z-series cameras* will help stabilise F-mount lenses without vibration reduction technology (VR) and increase the effectiveness of those that have it. The Mount Adapter FTZ II makes roughly 360 F-mount lenses compatible with Z cameras without any loss in quality. But making the switch to Z-mount doesn’t render those great F-mount lens collections redundant. With a new lens mount comes new lenses, and Nikon’s ever-growing roster of Z-mount optics is consistently redefining expectations when it comes to size, features, image quality and sharpness. This means it’s more adept at light gathering, while simultaneously championing the design of smaller and lighter lenses and cameras, not to mention its ability to accommodate apertures as wide as f/0.95. It was designed to be the largest full-frame mount on the market and is 17% wider and 65% slimmer than Nikon’s F-mount. Find out more about how we test and review.Nikon’s mirrorless system is built around the coveted Z-mount. We use both real-world testing and lab results to inform our comments in buying guides. Resolution is measured using ISO resolution charts, dynamic range is measured using DxO Analyzer test equipment and DxO Analyzer is also used for noise analysis across the camera's ISO range. Our lab tests measure resolution, dynamic range, and signal-to-noise ratio. We test cameras both in real-world shooting scenarios and, for DSLRs and mirrorless cameras, in carefully controlled lab conditions. The autofocus is frighteningly fast and accurate, with a buffer rate of 20fps, Sony itself even likens its performance to its flagship Sony A9 camera.Īs long as you are realistic about what this camera can achieve then it will no doubtedly delight you as the perfect vlogging camera or travel companion. Whilst this camera is limited in its creativity by its smaller than usual 1.0in sensor and its fairly standard 24-200mm F2.8-4.5 zoom lens, it makes up for it in spades with its excellent image quality and amazing 4K footage. Defying the naysayers that claim compact cameras are a relic, Sony continues to pack astounding features into these tiny cameras. If you want the best quality images and video in the smallest possible form factor then the Sony RX100 VII is the way to go. One glaring omission is the lack of IBIS, although not surprising at this price point, so you will need to buy a lens with some IS built-in if you want to get the most from your videos. But it doesn't let up on the video thanks to video recording in 4K up to 30fps using the whole sensor, so no unwieldy video cropping, which can't be said for some of its rivals. This camera really performs in the image department, with an excellent 20.9MP sensor for stills, Nikon's well-regarded hybrid autofocus system from its higher-end cameras, 11fps shooting, and some impressive low light capabilities thanks to a native ISO range of ISO100-51,200. Nikon has made some savings by eliminating a few components you would find in higher-end cameras, but you are still left with a very robust and modern set of features that will please almost any casual user. The Nikon Z50 is a perfect hybrid shooter for anyone who is looking to expand their creative opportunities but is maybe limited by budget.
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